Mendeley
TY  _  JOUR
ID  -  13940629152514270
TI  -  Another Approach to Music of Poem and its Relation to Subject, Imagination and Poetical Feelings
JO  -  Pazhūhish-i Źabān  va Adabiyyāt-i Farsī
JA  -  ES
LA  -  fa
SN  -  1735-1030
AU  -  Fayaz Manesh Parand 
AD  -  استادبار دانشگاه آزاد واحد صحنه کرمانشاه
Y1  -  2015
PY  -  2015
VL  -  4
IS  -  0
SP  -  1
EP  -  10
KW  -  Aesthetics Music of Poem Object Imagination Feeling
DO  -  
N2  -  Music is a component of poem and its constituent. Music highlights the speech and differentiates poem from prose. This article addresses this aspects of poem and connection between song of speech and other elements. To this end, firstly we define music and its sorts in Persian poem, then the connection between music of poem and subject, imagination and feelings. This study shows that music of poem along side four division by Persian literary men, divides to three categories: external music (prosodic aspect of poem) side music (special song of harmony between ending words of half. Vers “Row and rhyme”) and medial music (different harmonies resulting from rhetorical communications and meaning relevances). But poem is an account of society, principles, faith, and poet’s thoughts; and music of poem is his/her language of heart and his/her feelings. 
Different styles of poetical music – that is, rhythm, rhyme and raw and words and vocable - are elements which transfer meaning, feeling and imagination of poet to audience and musical variety, in this regard, is an important factor in inducing subject and poetical feelings to others. Maintaining harmony and relations between poetry music and other elements, poet attempts to approach to main purpose of poem, that is, impressing notions and internal contains of poem. 

UR  - rimag.ir/en/Article/10170
L1  - rimag.ir/en/Article/Download/10170
ER  -  
